ÔÈËÎËÎÃÈß,ÑÎÖÈÎËÎÃÈß È ÊÓËÜÒÓÐÎËÎÃÈß. ÍÀÓ×ÍÛÅ ÄÎÑÒÈÆÅÍÈß, ÍÀÐÀÁÎÒÊÈ,ÏÐÅÄËÎÆÅÍÈß / FILOLOGIA, SOCJOLOGIA I KULTUROZNAWSTWO. OSIĄGNIĘCIA NAUKOWE, ROZWÓJ, PROPOZYCJE 29.09.2016 - 30.09.2016 ÂÀÐØÀÂÀ/WARSZAWA
SPIS /Ñîäåðæàíèå
Àáëàìñêàÿ Å.Â........................................................................................................ 7
ÊÎËÎÐÈÑÒÈ×ÅÑÊÀß ÑÅÌÀÍÒÈÊÀ  ÑÒÐÓÊÒÓÐÅ ÕÓÄÎÆÅÑÒÂÅÍÍÎÃÎ ÄÈÑÊÓÐÑÀ
Ãðóùàê Î................................................................................................................. 11
ÎÑÎÁËÈÂÎÑÒ² ÏÀÐÅ̲ÉÍί ÂÅÐÁÀ˲ÇÀÖ²¯ ÊÎÍÖÅÏÒÓ AMICITIA / ÄÐÓÆÁÀ  ËÀÒÈÍÑÜÊ²É ÒÀ ÓÊÐÀ¯ÍÑÜÊ²É ÌÎÂÀÕ
Karpina E. S.............................................................................................................. 15
DEVELOPMENT OF THE HISTORICAL NOVEL GENRE IN THE WORLD LITERATURE
Ñèäîðóê Ã.²., Îë³éíèê Þ. .................................................................................... 18
Óñòàëåí³ ñëîâîñïîëó÷åííÿ òà ôðàçåîëîã³çìè â ïåðåêëàä³
Áàéêî Â. À............................................................................................................... 21
ÑÏÅÖÈÔÈÊÀ ÏÅÉÇÀÆÍÛÕ ÎÏÈÑÀÍÈÉ Â ÒÅÊÑÒÅ ÄÅÒÅÊÒÈÂÍÎÃÎ ÐÎÌÀÍÀ ÑÒÈÂÅÍÀ ÁÓÒÀ «THE CORPSE BRIDGE»
Åðìåé÷óê Í.À......................................................................................................... 26
Ê ÂÎÏÐÎÑÓ Î ÔÓÍÊÖÈÎÍÈÐÎÂÀÍÈÈ ÃÈÏÅÐÁÎËÛ Â ÀÍÃËÎßÇÛ×ÍÎÌ ÁÈÁËÅÉÑÊÎÌ ÒÅÊÑÒÅ
Êîçóá Ë. Ñ................................................................................................................ 29
ÑÏÅÖÈÔ²ÊÀ ÂÇÀÌÎIJ¯ ÏÐÎÑÎÄÈ×ÍÈÕ ÇÀÑÎÁ²Â ² ÑÒÐÓÊÒÓÐÍÎ-Ç̲ÑÒÎÂί ÏÎÁÓÄÎÂÈ ÒÅÊÑÒÓ
Õîì÷àê Î. Ã., Àáðàìîâè÷ ².Ì............................................................................. 32
ÀÑÎÖ²ÀÒÈÂÍÎ-ÂÅÐÁÀËÜÍÀ ÌÎÄÅËÜ ÊÎÍÖÅÏÒÓ ÊÎÕÀÍÍß
Ñèäîðóê Ã.²., ijì³òð³ºâà Ì.Î............................................................................... 34
ÏÅÐÅÂÀÃÈ ÒÀ ÍÅÄÎ˲ÊÈ ÌÀØÈÍÍÎÃÎ ÏÅÐÅÊËÀÄÓ
²âàíóñà Î.Ñ.............................................................................................................. 37
ÌÎÂÍÀ ÊÀÐÒÈÍÀ ѲÒÓ ßÊ ÎÁ’ªÊÒ Ë²ÍòÑÒÈ×ÍÎÃÎ ÄÎÑ˲ÄÆÅÍÍß
Ñèäîðóê Ã.²., Êîëî쳺öü ²..................................................................................... 43
ÏÐÎÁËÅÌÀ ÏÅÐÅÊËÀÄÓ ÐÅÊËÀÌÍÈÕ ÀÍÃËÎÌÎÂÍÈÕ ÑËÎÃÀͲ ÓÊÐÀ¯ÍÑÜÊÎÞ ÒÀ ÐÎѲÉÑÜÊÎÞ ÌÎÂÀÌÈ
Ñèäîðóê Ã.²., Cîêóðåöü Ä. ................................................................................... 47
Âæèâàííÿ òà çíà÷åííÿ àðòèêë³â òà ³íøèõ äåòåðì³íàòèâ³â àíãë³éñüêî¿ ìîâè â ïåðåêëàäàöüêîìó àñïåêò³
Ïåòðèøèí Î.Ë., Ëóæåöüêà Î.Ì......................................................................... 50
FEATURES OF UKRAINIAN-ENGLISH PROSODIC INTERFERENCE
Ãåðìàí Â. Â.............................................................................................................. 56
ÍÀÐÎÄÍÀ ÔÐÀÇÅÎËÎÃ²ß Â ÊÎÍÔÅѲÉÍ²É Ìβ Ï. ÊÓ˲ØÀ ÒÀ Ï. ÃÐÀÁÎÂÑÜÊÎÃÎ
Ñèäîðóê Ã.²., Áîíäàð Ð.Î..................................................................................... 59
ÎÑÎÁËÈÂÎÑÒ² IJËÎÂί ÊÎÐÅÑÏÎÍÄÅÍÖ²¯
Ñèäîðóê Ã.²., Ñàâîñòüÿí ß.Ñ............................................................................... 62
ËÅÊÑÈÊÎ-ÃÐÀÌÀÒÈ×Ͳ ÕÀÐÀÊÒÅÐÈÑÒÈÊÈ ÔÐÀÇÎÂÈÕ Ä²ªÑ˲ ÒÀ ¯Õͪ ÔÓÍÊÖ²ÎÍÓÂÀÍÍß Â ÑÓ×ÀÑÍ²É ÀÍÃ˲ÉÑÜÊ²É Ìβ
Ñèäîðóê Ã.²., Ñåð㳺íêî Ò.À................................................................................ 65
ÔÓÍÊÖ²¯ ÒÀ ̲ÑÖÅ ÏÀÐÎͲ̲  ÀÍÃ˲ÉÑÜÊ²É Ìβ
Îëüõîâñüêà Í. Ñ..................................................................................................... 68
²ÄÒÂÎÐÅÍÍß ²ÍÒÅÐÍÀÖ²ÎÍÀ˲Ç̲ ÏÐÈ ÏÅÐÅÊËÀIJ ÀÃÐÀÐÍÈÕ ÒÅÊÑÒ²Â
À㺺⠪., Îëüõîâñüêà Í. Ñ................................................................................... 72
CÈÍÒAÊCÈ×Ͳ ÏÐÎÁËÅÌÈ ÏÅÐÅÊËÀÄÓ ÒÅÊCÒI AÃÐOÏÐOÌÈCËOÂί ÒA ÏÐÈÐOÄOOÕOÐOÍÍί ÒÅÌÀÒÈÊÈ
Âåòð³ùåíêî À., Îëüõîâñüêà Í. Ñ....................................................................... 77
²ÄÒÂÎÐÅÍÍß ÑÊÎÐÎ×ÅÍÜ ÏÐÈ ÏÅÐÅÊËÀIJ ÀÃÐÀÐÍÈÕ ÒÅÊÑÒ²Â
Ñèäîðóê Ã.²., Êðàâ÷óê Í. Á.................................................................................. 81
ÀÄÀÏÒÎÂÀÍÈÉ ÏÅÐÅÊËÀÄ ÍÀÇ ÕÓÄÎÆÍ²Õ Ô²ËÜ̲Â
Ñèäîðóê Ã.²., Ìàëèø Â.Î..................................................................................... 84
ÎÑÎÁËÈÂÎÑÒ² ÏÅÐÅÊËÀÄÓ ÎÔ²ÑÍί ÄÎÊÓÌÅÍÒÀÖ²¯
Àëåêñàíäðîâ ª.Ñ.................................................................................................... 87
Îñîáëèâîñò³ ïåðåêëàäó ³ä³îìàòè÷íèõ âèðàç³â
Ñèäîðóê Ã.²., Ãóùà Þ.À........................................................................................ 89
ÎÑÎÁËÈÂÎÑÒ² ÏÅÐÅÊËÀÄÓ ÇÀÃÎËÎÂʲ ÀÍÃ˲ÉÑÜÊί ÏÐÅÑÈ
Ñèäîðóê Ã.²., Çàºöü Á.Â......................................................................................... 92
ÏÐÎÁËÅÌÀ «ÍÅÏÅÐÅÊËÀÄÍÎÑÒ²» ² ØËßÕÈ ¯¯ ÂÈвØÅÍÍß ÓÊÐÀ¯ÍÑÜÊÎÞ ÌÎÂÎÞ
Ñèäîðóê Ã. ²., Ëàõìàí Ì. Ë.................................................................................. 95
ÔÎÍβ ÇÍÀÍÍß Ó ÂÈ̲в ÑÓ×ÀÑÍί Ô²ËÎËÎò¯
Ñèäîðóê Ã.²., ϳñòóí Î.Î...................................................................................... 98
ÂÈÄÈ ÊÎÌÏÅÍÑÀÖ²¯ ÏÐÈ ÏÅÐÅÊËÀIJ ÕÓÄÎÆÍ²Õ ÒÂÎвÂ
Ñèäîðóê Ã. ²............................................................................................................. 101
ÑÒÐÓÊÒÓÐͲ ÒÀ ÑÅÌÀÍÒÈ×Ͳ Ç̲ÍÈ Â ÌÅÐÅÆÅÂÈÕ ÀÍÃËÎÌÎÂÍÈÕ ËÅÊÑÈ×ÍÈÕ ÒÀ ÃÐÀÔ²×ÍÈÕ ÀÁÐŲÀÒÓÐÀÕ
Ñèäîðóê Ã.²., Çàêàòåé Þ.Â................................................................................... 104
ÅÌÎÖ²ÉÍÎ ÇÀÁÀÐÂËÅͲ ÑËÎÂÀ  ÑÓ×ÀÑÍ²É ÇÀÐÓÁ²ÆÍ²É ÌÓÇÈÖ²
Ñèäîðóê Ã.²., Ñóñëî Ò.À........................................................................................ 107
ÏÐÎÁËÅÌÈ ÒÀ ÑÏÎÑÎÁÈ ÏÅÐÅÊËÀÄÓ ÃÅÎÃÐÀÔ²×ÍÈÕ ÍÀÇÂ
Çàéíóë³íà Þ.²., Ñèäîðóê Ã.²................................................................................. 110
ÅÌÔÀÒÈ×ÍÀ ÔÓÍÊÖ²ß ²ÍÂÅÐѲ¯  ÎÐÈòÍÀ˲ ÒÀ ÏÅÐÅÊËÀIJ
Ñèäîðóê Ã.²., Ñóõëÿê Â. Þ................................................................................... 113
ÊÀËÜÊÓÂÀÍÍß, ÎÏÈÑÎÂÈÉ ÏÅÐÅÊËÀÄ ÒÀ ϲÄÑÒÀÍÎÂÊÈ Ï²Ä ×ÀÑ ÏÅÐÅÊËÀÄÓ ÒÅÐ̲ÍÎËÎò¯ ÍÀÓÊÎÂÈÕ ÒÅÊÑÒ²Â
Ñèäîðóê Ã.².,Êðàâ÷åíêî Î................................................................................... 116
ØËßÕÈ ÀÑÈ̲ËßÖ²¯ ÀÍÃ˲ÉÑÜÊί ËÅÊÑÈÊÈ Â ÓÊÐÀ¯ÍÑÜ